Rockpedia

Compare

Two genres, side by side. The ratings are editorial judgements on a ten-point scale, not measurements. Where they come out level, the difference is in the prose underneath them.

First genre

Acid rock1967

Second genre

Blues rock1963

Head to headAcid rock vs Blues rock
Acid rock: heaviness 5, melody 6, speed 5. Blues rock: heaviness 4, melody 8, speed 5.Heaviness5 / 4Melody6 / 8Speed5 / 5
Each corner is a ten-point rating. The further out, the higher.

The difference, by ear

The material is largely the same and the intent is not: blues rock solos within a form, acid rock leaves the form behind entirely.

Both are sung cleanly and move at much the same pace, around 90 to 140 bpm. Songs run longer in acid rock: usually 5 to 20 minutes, against 4 to 8 minutes in blues rock. To hear the difference, play Blue Cheer next to Cream. They share a root in rock, and blues rock came first, by four years.

Put together from each genre's vocals, tempo, song length, key acts and place in the tree.

In figures

Heaviness
Acid rock5
Blues rock4
−1
Speed
Acid rock5
Blues rock5
level
Melody
Acid rock6
Blues rock8
+2

Acid rock

1967 · San Francisco, USA

Where it sits

Rock › Psychedelic rock › Acid rock

In short

The heavy end of psychedelia: raw distortion and endless jams. Blue Cheer is often named the first genuinely heavy band.

How it sounds

  • Massive distortion for the era, at the limit of what amplifiers could take.
  • Long solos with wah-wah and controlled feedback.
  • Slow to medium tempos with heavy drums up front.

Key acts

  • Blue Cheer
  • Iron Butterfly
  • Grateful Dead

Start here

The pickBlue Cheer - Summertime Blues. Three people and a wall of Marshalls.

Full page →

Blues rock

1963 · London / Chicago · 7 subgenres

Where it sits

Rock › Blues rock

In short

Electric blues played louder, longer and with improvised solos. The direct bridge between Muddy Waters and Black Sabbath.

How it sounds

  • Pentatonic scales and long bends inherited straight from B.B. King and Buddy Guy.
  • Amplifiers driven into natural saturation - the distortion comes from volume, not a pedal.
  • Long songs with room for live improvisation.

Key acts

  • Cream
  • The Yardbirds
  • Jimi Hendrix
  • Fleetwood Mac

Start here

The pickCream - Sunshine of Your Love. The riff that showed how thick a trio could sound.

Full page →