Rockpedia

Compare

Two genres, side by side. The ratings are editorial judgements on a ten-point scale, not measurements. Where they come out level, the difference is in the prose underneath them.

First genre

Blues rock1963

Second genre

Rock and roll1954

Head to headBlues rock vs Rock and roll
Blues rock: heaviness 4, melody 8, speed 5. Rock and roll: heaviness 2, melody 8, speed 6.Heaviness4 / 2Melody8 / 8Speed5 / 6
Each corner is a ten-point rating. The further out, the higher.

The difference, by ear

Rock and roll is faster, shorter and for dancing. Blues rock slows the same source material down and makes room for a four-minute solo, which is the thing rock and roll had no time for.

Both are sung cleanly, but rock and roll is faster: 140 to 180 bpm against 90 to 130. Songs run longer in blues rock: usually 4 to 8 minutes, against 2 to 2½ minutes in rock and roll. To hear the difference, play Cream next to Chuck Berry. Both grew out of rock, rock and roll first and blues rock nine years after. Chicago appears in the origins of both.

Put together from each genre's vocals, tempo, song length, key acts and place in the tree.

In figures

Heaviness
Blues rock4
Rock and roll2
−2
Speed
Blues rock5
Rock and roll6
+1
Melody
Blues rock8
Rock and roll8
level

Blues rock

1963 · London / Chicago · 7 subgenres

Where it sits

Rock › Blues rock

In short

Electric blues played louder, longer and with improvised solos. The direct bridge between Muddy Waters and Black Sabbath.

How it sounds

  • Pentatonic scales and long bends inherited straight from B.B. King and Buddy Guy.
  • Amplifiers driven into natural saturation - the distortion comes from volume, not a pedal.
  • Long songs with room for live improvisation.

Key acts

  • Cream
  • The Yardbirds
  • Jimi Hendrix
  • Fleetwood Mac

Start here

The pickCream - Sunshine of Your Love. The riff that showed how thick a trio could sound.

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Rock and roll

1954 · Memphis / Chicago, USA · 6 subgenres

Where it sits

Rock › Rock and roll

In short

Ground zero: twelve-bar blues sped up, piano hammered hard, lyrics about cars and girls. It made the electric guitar the defining instrument of the century.

How it sounds

  • Twelve-bar blues sped up, with piano pounded in eighths and saxophone where the guitar solo would later go.
  • The guitar plays short repeating riffs rather than long solos - Chuck Berry essentially wrote the vocabulary.
  • Mono production, one room, dance-hall energy.

Key acts

  • Chuck Berry
  • Little Richard
  • Elvis Presley
  • Bo Diddley

Start here

The pickChuck Berry - Johnny B. Goode. That opening riff is the DNA of the entire tree.

Full page →