Rockpedia

Compare

Two genres, side by side. The ratings are editorial judgements on a ten-point scale, not measurements. Where they come out level, the difference is in the prose underneath them.

First genre

Death metal1985

Second genre

Deathcore2004

Head to headDeath metal vs Deathcore
Death metal: heaviness 10, melody 4, speed 9. Deathcore: heaviness 10, melody 4, speed 8.Heaviness10 / 10Melody4 / 4Speed9 / 8
Each corner is a ten-point rating. The further out, the higher.

The difference, by ear

Deathcore plays death metal riffs and then stops dead for a breakdown at half tempo. Death metal proper almost never gives you that release.

Both are growled or screamed, but deathcore is a little slower: 120 to 220 bpm against 120 to 260. To hear the difference, play Death next to Job for a Cowboy. Deathcore grew out of death metal, nineteen years later.

Put together from each genre's vocals, tempo, song length, key acts and place in the tree.

In figures

Heaviness
Death metal10
Deathcore10
level
Speed
Death metal9
Deathcore8
−1
Melody
Death metal4
Deathcore4
level

Death metal

1985 · Florida / Sweden · 10 subgenres

Where it sits

Heavy metal › Death metal

In short

Guttural vocals, low tunings, blast beats and tremolo picking. Thrash pushed past the limit of legibility, with two founding schools: Florida and Stockholm.

How it sounds

  • Guttural growls produced from the diaphragm, with controlled vocal distortion.
  • Tremolo picking on down-tuned guitars (D, C, B) and blast beats past 200 bpm.
  • Structures without a classic chorus; riffs succeed one another instead of repeating symmetrically.

Key acts

  • Death
  • Morbid Angel
  • Cannibal Corpse
  • Entombed

Start here

The pickEntombed - Left Hand Path. The first twenty seconds explain the entire Swedish sound.

Full page →

Deathcore

2004 · USA

Where it sits

Heavy metal › Death metal › Deathcore

In short

Death metal plus metalcore breakdowns: low riffs, two vocal registers and a slow moment where the room erupts.

How it sounds

  • Death metal riffs alternating with metalcore breakdowns at half tempo.
  • Seven- and eight-string guitars, tuned very low, with precise digital production.
  • Three vocal registers: guttural growl, high scream and, more recently, clean singing.

Key acts

  • Job for a Cowboy
  • Suicide Silence
  • Whitechapel
  • Lorna Shore

Start here

The pickWhitechapel - This Is Exile. Three guitarists, all tuned as low as they will go.

Full page →