Rockpedia

Compare

Two genres, side by side. The ratings are editorial judgements on a ten-point scale, not measurements. Where they come out level, the difference is in the prose underneath them.

First genre

Garage rock1963

Second genre

Rock and roll1954

Head to headGarage rock vs Rock and roll
Garage rock: heaviness 3, melody 7, speed 7. Rock and roll: heaviness 2, melody 8, speed 6.Heaviness3 / 2Melody7 / 8Speed7 / 6
Each corner is a ten-point rating. The further out, the higher.

The difference, by ear

Garage is what happened when teenagers with no training copied rock and roll and the British Invasion from records. Cruder, faster and much angrier.

Both are sung cleanly and move at much the same pace, around 140 to 180 bpm. To hear the difference, play The Sonics next to Chuck Berry. Garage rock grew out of rock and roll, nine years later.

Put together from each genre's vocals, tempo, song length, key acts and place in the tree.

In figures

Heaviness
Garage rock3
Rock and roll2
−1
Speed
Garage rock7
Rock and roll6
−1
Melody
Garage rock7
Rock and roll8
+1

Garage rock

1963 · USA / Canada · 2 subgenres

Where it sits

Rock › Rock and roll › Garage rock

In short

High-school bands, a Farfisa organ and one good idea recorded badly. Attitude beats technique here, and punk descends from it directly.

How it sounds

  • A Farfisa or Vox organ, very often louder in the mix than the guitar.
  • Raw production cut in a few hours, with saturated vocals and distant drums.
  • One good riff, repeated for two and a half minutes.

Key acts

  • The Sonics
  • The Standells
  • The Seeds
  • ? and the Mysterians

Start here

The pickThe Sonics - Psycho. Gerry Roslie's voice is a decade ahead of punk.

Full page →

Rock and roll

1954 · Memphis / Chicago, USA · 6 subgenres

Where it sits

Rock › Rock and roll

In short

Ground zero: twelve-bar blues sped up, piano hammered hard, lyrics about cars and girls. It made the electric guitar the defining instrument of the century.

How it sounds

  • Twelve-bar blues sped up, with piano pounded in eighths and saxophone where the guitar solo would later go.
  • The guitar plays short repeating riffs rather than long solos - Chuck Berry essentially wrote the vocabulary.
  • Mono production, one room, dance-hall energy.

Key acts

  • Chuck Berry
  • Little Richard
  • Elvis Presley
  • Bo Diddley

Start here

The pickChuck Berry - Johnny B. Goode. That opening riff is the DNA of the entire tree.

Full page →