Rockpedia

Compare

Two genres, side by side. The ratings are editorial judgements on a ten-point scale, not measurements. Where they come out level, the difference is in the prose underneath them.

First genre

Mathcore1993

Second genre

Math rock1988

Head to headMathcore vs Math rock
Mathcore: heaviness 8, melody 3, speed 9. Math rock: heaviness 3, melody 6, speed 6.Heaviness8 / 3Melody3 / 6Speed9 / 6
Each corner is a ten-point rating. The further out, the higher.

The difference, by ear

Same arithmetic, opposite temperature. Math rock is clean, dry and patient; mathcore plays the same rhythmic ideas at hardcore speed with screaming.

Math rock is mostly instrumental where mathcore is growled or screamed, and much slower: 100 to 160 bpm against 140 to 260. Songs run longer in math rock: usually 4 to 8 minutes, against 1½ to 4 minutes in mathcore. To hear the difference, play The Dillinger Escape Plan next to Slint. They share a root in rock, and math rock came first, by five years. United States appears in the origins of both.

Put together from each genre's vocals, tempo, song length, key acts and place in the tree.

In figures

Heaviness
Mathcore8
Math rock3
−5
Speed
Mathcore9
Math rock6
−3
Melody
Mathcore3
Math rock6
+3

Mathcore

1993 · USA

Where it sits

Rock › Punk rock › Hardcore punk › Post-hardcore › Mathcore

In short

Metalcore with its wiring torn out: meter changes every few seconds, dissonance and chaos controlled to the millimetre.

How it sounds

  • Meter changes every few seconds, executed at maximum speed.
  • Dissonant chords and minor-second intervals used as primary material.
  • Jazz-level drum technique applied at grindcore intensity.

Key acts

  • The Dillinger Escape Plan
  • Converge
  • Botch
  • Car Bomb

Start here

The pickConverge - Jane Doe. Technically mathcore, emotionally something else entirely.

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Math rock

1988 · USA / Japan

Where it sits

Rock › Progressive rock › Math rock

In short

Odd meters and interlocking riffs assembled like a puzzle, usually without vocals. Post-rock's cerebral cousin.

How it sounds

  • Frequently changing odd meters, often with two guitars in different metres at once.
  • Clean or lightly overdriven guitars in alternate tunings, with tapping and harmonics.
  • Usually instrumental; where there are vocals, they are spoken or whispered.

Key acts

  • Slint
  • Don Caballero
  • Battles
  • Toe

Start here

The pickSlint - Spiderland. Six songs that changed independent rock.

Full page →