Rockpedia

Compare

Two genres, side by side. The ratings are editorial judgements on a ten-point scale, not measurements. Where they come out level, the difference is in the prose underneath them.

First genre

Neo-prog1981

Second genre

Symphonic prog1970

Head to headNeo-prog vs Symphonic prog
Neo-prog: heaviness 3, melody 9, speed 4. Symphonic prog: heaviness 3, melody 8, speed 5.Heaviness3 / 3Melody9 / 8Speed4 / 5
Each corner is a ten-point rating. The further out, the higher.

The difference, by ear

Symphonic prog is orchestral and rhythmically complex. Neo-prog keeps the epic feeling and simplifies the music underneath it considerably.

Both are sung cleanly and move at much the same pace, around 70 to 150 bpm. Songs run longer in symphonic prog: usually 6 to 20 minutes, against 4 to 10 minutes in neo-prog. To hear the difference, play Marillion next to Yes. Both grew out of progressive rock, symphonic prog first and neo-prog eleven years after. United Kingdom appears in the origins of both.

Put together from each genre's vocals, tempo, song length, key acts and place in the tree.

In figures

Heaviness
Neo-prog3
Symphonic prog3
level
Speed
Neo-prog4
Symphonic prog5
+1
Melody
Neo-prog9
Symphonic prog8
−1

Neo-prog

1981 · United Kingdom

Where it sits

Rock › Progressive rock › Neo-prog

In short

Prog's 1980s comeback, with digital keyboards, shorter songs and more melodrama.

How it sounds

  • 1980s digital keyboards and delay-heavy guitar in the David Gilmour manner.
  • Six- to ten-minute songs with a clear chorus and a legible structure.
  • Theatrical, often narrative vocals, with characters and stories across an album.

Key acts

  • Marillion
  • IQ
  • Pendragon

Start here

The pickMarillion - Misplaced Childhood. A continuous album with no gaps between tracks.

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Symphonic prog

1970 · UK / Italy

Where it sits

Rock › Progressive rock › Symphonic prog

In short

Orchestral arrangements transposed onto Hammond organ and Moog. Roger Dean cover art included.

How it sounds

  • Hammond organ through a Leslie and a Moog acting as a horn section.
  • Sectional arrangements with themes that return transformed.
  • Instrumental virtuosity on open display, especially on keyboards.

Key acts

  • Yes
  • Emerson, Lake & Palmer
  • PFM

Start here

The pickYes - Close to the Edge. The title track runs eighteen minutes and wastes none of them.

Full page →