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Compare

Two genres, side by side. The ratings are editorial judgements on a ten-point scale, not measurements. Where they come out level, the difference is in the prose underneath them.

First genre

New nu metal2018

Second genre

Progressive metalcore2010

Head to headNew nu metal vs Progressive metalcore
New nu metal: heaviness 8, melody 7, speed 6. Progressive metalcore: heaviness 8, melody 8, speed 7.Heaviness8 / 8Melody7 / 8Speed6 / 7
Each corner is a ten-point rating. The further out, the higher.

The difference, by ear

Both are modern, digitally produced and dynamically extreme. Progressive metalcore comes from metalcore; this comes from nu metal.

Both are part sung, part screamed, but progressive metalcore is faster: 130 to 190 bpm against 90 to 150. To hear the difference, play Tallah next to Architects. They share a root in heavy metal, and progressive metalcore came first, by eight years. Global appears in the origins of both.

Put together from each genre's vocals, tempo, song length, key acts and place in the tree.

In figures

Heaviness
New nu metal8
Progressive metalcore8
level
Speed
New nu metal6
Progressive metalcore7
+1
Melody
New nu metal7
Progressive metalcore8
+1

New nu metal

2018 · Global

Where it sits

Heavy metal › Nu metal › New nu metal

In short

The generation raised on Korn and Slipknot brings back low tunings and electronic textures with today's production.

How it sounds

  • Very low tunings and modern production with electronic and trap elements.
  • Short structures built for streaming and vertical video.
  • Vocals switching rapidly between rapping, processed singing and screaming.

Key acts

  • Tallah
  • Vended
  • Sleep Token

Start here

The pickLoathe - I Let It in and It Took Everything. Deftones and shoegaze, done very well.

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Progressive metalcore

2010 · Global

Where it sits

Heavy metal › Metalcore › Progressive metalcore

In short

Metalcore with eight-string guitars, ambient passages and structures borrowed from djent.

How it sounds

  • Seven- and eight-string guitars with polyrhythms taken from djent.
  • Ambient passages and electronic textures between the heavy sections.
  • Very clean production with wide dynamics and vocals across many registers.

Key acts

  • Architects
  • Erra
  • Northlane

Start here

The pickArchitects - All Our Gods Have Abandoned Us. Devastating in both senses.

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