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Compare

Two genres, side by side. The ratings are editorial judgements on a ten-point scale, not measurements. Where they come out level, the difference is in the prose underneath them.

First genre

Pagan / Viking black metal1990

Second genre

Atmospheric black metal1994

Head to headPagan / Viking black metal vs Atmospheric black metal
Pagan / Viking black metal: heaviness 8, melody 7, speed 7. Atmospheric black metal: heaviness 8, melody 6, speed 7.Heaviness8 / 8Melody7 / 6Speed7 / 7
Each corner is a ten-point rating. The further out, the higher.

The difference, by ear

Both use scale and slowness. Atmospheric black metal is about landscape as sensation; this is about ancestry and history.

Both are growled or screamed, but atmospheric black metal swings further either way: 90 to 200 bpm against 120 to 190. To hear the difference, play Bathory next to Wolves in the Throne Room. Both grew out of black metal, Pagan / Viking black metal first and atmospheric black metal four years after.

Put together from each genre's vocals, tempo, song length, key acts and place in the tree.

In figures

Heaviness
Pagan / Viking black metal8
Atmospheric black metal8
level
Speed
Pagan / Viking black metal7
Atmospheric black metal7
level
Melody
Pagan / Viking black metal7
Atmospheric black metal6
−1

Pagan / Viking black metal

1990 · Scandinavia

Where it sits

Heavy metal › Black metal › Pagan / Viking black metal

In short

Black metal with Norse mythology and folk melodies. Bathory's later albums are the starting point.

How it sounds

  • Modal melodies drawn from Nordic folk music, played on distorted guitars.
  • Male choirs and marching drum patterns.
  • Epic structures with long songs and dynamics running from silence to storm.

Key acts

  • Bathory
  • Enslaved
  • Windir

Start here

The pickBathory - Hammerheart. Quorthon played nearly all of it himself.

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Atmospheric black metal

1994 · Global

Where it sits

Heavy metal › Black metal › Atmospheric black metal

In short

Long songs, hypnotic repetition and synth textures. The landscape matters more than the riff.

How it sounds

  • Songs of ten to twenty minutes with hypnotic repetition and very slow development.
  • Layered guitars and keyboards that create texture rather than riffs.
  • Wide reverb production with the vocals set far back in the mix.

Key acts

  • Wolves in the Throne Room
  • Paysage d'Hiver
  • Drudkh

Start here

The pickWolves in the Throne Room - Two Hunters. Four tracks, close to an hour.

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