Rockpedia

Compare

Two genres, side by side. The ratings are editorial judgements on a ten-point scale, not measurements. Where they come out level, the difference is in the prose underneath them.

First genre

Proto-metal1968

Second genre

Blues rock1963

Head to headProto-metal vs Blues rock
Proto-metal: heaviness 6, melody 7, speed 5. Blues rock: heaviness 4, melody 8, speed 5.Heaviness6 / 4Melody7 / 8Speed5 / 5
Each corner is a ten-point rating. The further out, the higher.

The difference, by ear

Proto-metal is blues rock with the volume past the point of control and the swing draining out. The material is the same; the intent is starting not to be.

Both are sung cleanly and move at much the same pace, around 90 to 140 bpm. To hear the difference, play Blue Cheer next to Cream. Proto-metal comes from the metal side of the tree and blues rock from the rock side, and blues rock came first, by five years.

Put together from each genre's vocals, tempo, song length, key acts and place in the tree.

In figures

Heaviness
Proto-metal6
Blues rock4
−2
Speed
Proto-metal5
Blues rock5
level
Melody
Proto-metal7
Blues rock8
+1

Proto-metal

1968 · USA / United Kingdom

Where it sits

Heavy metal › Proto-metal

In short

The heavy bands from before the term existed: over-amplified acid rock, already built around the riff.

How it sounds

  • Volume and distortion beyond what the technology of the era allowed, with natural saturation.
  • A repeating riff in place of a blues progression, but still inside rock and roll structures.
  • Heavy drums up front and vocals in the high register.

Key acts

  • Blue Cheer
  • Steppenwolf
  • Sir Lord Baltimore
  • Budgie

Start here

The pickBudgie - Breadfan. Metallica covered it, but the original is stranger.

Full page →

Blues rock

1963 · London / Chicago · 7 subgenres

Where it sits

Rock › Blues rock

In short

Electric blues played louder, longer and with improvised solos. The direct bridge between Muddy Waters and Black Sabbath.

How it sounds

  • Pentatonic scales and long bends inherited straight from B.B. King and Buddy Guy.
  • Amplifiers driven into natural saturation - the distortion comes from volume, not a pedal.
  • Long songs with room for live improvisation.

Key acts

  • Cream
  • The Yardbirds
  • Jimi Hendrix
  • Fleetwood Mac

Start here

The pickCream - Sunshine of Your Love. The riff that showed how thick a trio could sound.

Full page →