Rockpedia

Compare

Two genres, side by side. The ratings are editorial judgements on a ten-point scale, not measurements. Where they come out level, the difference is in the prose underneath them.

First genre

Screamo1991

Second genre

Powerviolence1987

Head to headScreamo vs Powerviolence
Screamo: heaviness 6, melody 5, speed 8. Powerviolence: heaviness 8, melody 2, speed 10.Heaviness6 / 8Melody5 / 2Speed8 / 10
Each corner is a ten-point rating. The further out, the higher.

The difference, by ear

Both are very short and very fast. Power violence is comic and confrontational; screamo is sincere and despairing.

Both are growled or screamed, but powerviolence swings further either way: 60 to 320 bpm against 150 to 220. Songs run longer in screamo: usually 1½ to 4 minutes, against under a minute to 1½ minutes in powerviolence. To hear the difference, play Orchid next to Infest. They share a root in hardcore punk, and powerviolence came first, by four years.

Put together from each genre's vocals, tempo, song length, key acts and place in the tree.

In figures

Heaviness
Screamo6
Powerviolence8
+2
Speed
Screamo8
Powerviolence10
+2
Melody
Screamo5
Powerviolence2
−3

Screamo

1991 · San Diego, California

Where it sits

Rock › Punk rock › Hardcore punk › Post-hardcore › Emo › Screamo

In short

Emo pushed into hysteria: continuous screaming, cutting guitars and songs that collapse into silence. Also called skramz.

How it sounds

  • Almost continuously screamed vocals, often at the edge of physical exhaustion.
  • Sharp guitars with dissonant chords and no thick distortion.
  • Very short songs that collapse suddenly into quiet passages.

Key acts

  • Orchid
  • Pg. 99
  • City of Caterpillar
  • Envy

Start here

The pickCity of Caterpillar - And You're Wondering How a Fool Can Die. Post-rock catching fire.

Full page →

Powerviolence

1987 · California, USA

Where it sits

Rock › Punk rock › Hardcore punk › Powerviolence

In short

Hardcore taken to the limit: abrupt tempo shifts, twenty-second songs, blast beats cut with parts as slow as tar.

How it sounds

  • Abrupt switches between blast beats and slow passages, with no transition.
  • Songs of ten to forty seconds, albums with twenty-five tracks.
  • Deliberately ugly sound, with distorted vocals and clipping bass.

Key acts

  • Infest
  • Man Is the Bastard
  • Spazz

Start here

The pickInfest - Slave. Twenty minutes that feel longer than a doom album.

Full page →