Country rock
Sung. Melodic singing throughout.
In short
Pedal steel and three-part harmony over a rock rhythm section. The sound of Laurel Canyon.
How it sounds
- Pedal steel and acoustic guitar over a rock rhythm section.
- Vocal harmony in thirds and sixths, sung loosely.
- Moderate tempos and warm, airy production.
Hear what that means
- Pedal steel as a lead voice from 19:14
The Byrds - Sweetheart of the Rodeo
Pedals and knee levers bending individual strings mid-chord - sliding harmonic movement no fretted instrument can produce. A rock band's audience hearing it for the first time.
Open on YouTube at 19:14 - The project, stated
The Flying Burrito Brothers - The Gilded Palace of Sin
Gram Parsons taking rock's audience to country rather than softening rock, which is the opposite of how the genre is usually described.
Open on YouTube - Harmony stacked three deep from 8:43
Close thirds arranged over a simple band. These records are vocal arrangements with instruments underneath.
Open on YouTube at 8:43
Loaded only when you press play — nothing reaches Google before that. 2 of 3 are cued to a second read from the upload's own tracklist.
The specifics
- Tempo
- 80-120 bpm
- Song length
- 3-5 min
- Tuning
- Standard and open G, with pedal steel guitar as a lead voice — an instrument with a foot-operated pitch-bending mechanism that no other rock genre uses.
- Production
- Warm, close and vocal-forward, recorded in Los Angeles by people who could afford good rooms. The harmony stacking is the production's main job.
- Written about
- Loss, The American west, Domesticity, Exile
What each part is doing
- Pedal steel The genre's signature: a lap instrument whose pedals and knee levers bend individual strings mid-chord, producing the sliding harmonic movement no fretted instrument can make.
- Guitar Clean and picked rather than strummed, using open tunings and country phrasing — bends into a note rather than onto it.
- Bass Simple, root-and-fifth, staying out of the way of a very busy harmonic arrangement.
- Drums Brushed or lightly played, frequently with a two-beat country feel rather than a rock backbeat.
- Vocals Close harmony in thirds, stacked two and three deep. The Eagles' records are essentially vocal arrangements with a band underneath.
What it isn't
That it softened rock. It is more accurate to say it made country commercially enormous by routing it through rock's audience — the records that resulted sold in numbers neither genre had seen, which is why the whole thing is remembered as a dilution by people who preferred the harder end of both. Gram Parsons' actual project was the opposite: taking rock's audience to country music.
Told apart from
- Folk rock Country rock is folk rock's child pointed at American country rather than at British and American folk ballads — the repertoire changes and the pedal steel arrives.
- Southern rock Southern rock is a blues-rock band with country in it; country rock is a country band with rock in it. The centre of gravity is the difference.
- Alt-country / Americana Alt-country arrives twenty years later from the punk side, and is deliberately rougher and less commercial.
- Jangle pop Both descend from the Byrds. Jangle took the twelve-string and the melancholy; country rock took the harmony and the pedal steel.
The genres this one is most often mistaken for. Written, not derived.
History
Gram Parsons persuaded The Byrds to record a country album in Nashville in 1968, to the horror of both camps. The idea caught on in California, where the Eagles turned it into the decade's best-selling sound. Neil Young took the rougher, more honest route through the same fusion.
Descended from
Branches into
Siblings on this branch
Sounds like this, elsewhere in the tree
- Midwest emo identical ratings · meets it at Rock
- New wave 1.0 apart by rating · meets it at Rock
- Dream pop 1.0 apart by rating · meets it at Rock
Closest by the three ratings, among genres at least 4 steps away in the tree. A rating match is not a musical claim.