Neo-psychedelia
Sung. Melodic singing throughout.
In short
Psychedelia retold by every new generation, with digital studios and rather less mysticism.
How it sounds
- Abundant reverb and delay, with the voice treated as an instrument.
- Modern studio production carrying 1960s sonic references.
- Pop melody under a thick layer of effects.
Hear what that means
- The vocabulary, used knowingly
Phasing, doubled and drenched vocals, and a 1967 palette deployed by someone who grew up with the records. The subject is loneliness, which psychedelia rarely was.
Open on YouTube - Modern drums under old effects
The Flaming Lips - The Soft Bulletin
The processing references analogue tape and the drum sound is unmistakably 1999. The reference is the point, not the method.
Open on YouTube - Repetition as structure
King Gizzard & the Lizard Wizard - Nonagon Infinity
An album written to loop endlessly, with modal riffs and drone strings quoting the 1960s while doing something structurally new.
Open on YouTube
Loaded only when you press play — nothing reaches Google before that. 1 of 3 is cued to a second read from the upload's own tracklist.
The specifics
- Tempo
- 90-140 bpm
- Song length
- 3-7 min
- Tuning
- Standard, with the effects doing the work: phasers, tape-style delays and pitch modulation, applied knowingly by people who grew up with the originals.
- Production
- Deliberately retrospective and technically modern — analogue-sounding processing achieved with whatever produces it best, frequently a computer. The point is the reference, not the method.
- Written about
- Interiority, Memory, Altered perception, at a remove, Loneliness
What each part is doing
- Guitar Phased, flanged and drenched, with drone strings and modal figures quoting 1967 directly. The vocabulary is inherited rather than invented.
- Bass Warm, melodic and high in the mix, frequently the clearest thing on a record that is otherwise smeared.
- Drums Compressed hard and slightly behind, referencing 1960s recording rather than reproducing it — the drum sound is usually the most obviously modern element.
- Vocals Doubled, drenched and pitched high, often deliberately recalling Lennon's treated vocals. The voice is a texture and a citation at once.
What it isn't
That it is a revival. Most of these records are not trying to sound like 1967 — they are using a vocabulary developed then to do something the originals did not, usually more interior and more melancholy. Tame Impala's records are about loneliness in a way psychedelia rarely was, and the effects chain is a means rather than a period costume.
Told apart from
- Psychedelic rock Psychedelia invented this vocabulary under the impression it was discovering something. Neo-psychedelia deploys it knowingly, which is a different artistic act however similar it sounds.
- Shoegaze Both bury the voice in effects. Shoegaze is built on volume and a wall; neo-psychedelia keeps the song's structure visible.
- Dream pop Dream pop shares the reverb and the softness and has no interest in psychedelia's structural strangeness.
- Space rock Space rock extends one idea; neo-psychedelia writes songs and decorates them.
The genres this one is most often mistaken for. Written, not derived.
History
Every generation rediscovers psychedelia with its own technology: the Paisley Underground in the 1980s, the Flaming Lips in the 1990s, Tame Impala in the 2010s with an album recorded largely alone on a laptop. The difference from the original is that mysticism has been replaced by nostalgia and production craft.
Descended from
Siblings on this branch
Sounds like this, elsewhere in the tree
- Gothic rock 1.0 apart by rating · meets it at Rock
- Alt-country / Americana 1.0 apart by rating · meets it at Rock
- Lo-fi / slacker rock 1.0 apart by rating · meets it at Rock
Closest by the three ratings, among genres at least 4 steps away in the tree. A rating match is not a musical claim.