Oi! / street punk
Shouted. Barked or chanted, and you can still make out the words.
In short
Working-class punk with terrace choruses and lyrics about the pub, the factory and football.
How it sounds
- Simple choruses built to be shouted by a full room.
- Thick guitar tone but rock and roll riffs rather than hardcore ones.
- Mid tempos, plain drumming and lyrics about everyday life.
Hear what that means
- The gang chorus
Mixed to sound like a room full of people rather than a band. The mass singalong is the structural device, not a decoration.
Open on YouTube - Slower than hardcore, on purpose
The Business - Suburban Rebels
Mid-paced, with a rock-and-roll swagger hardcore removed entirely. Built for a crowd to move to rather than for speed.
Open on YouTube - An accent, undisguised
Shouted in a regional accent about immediate circumstance rather than ideology. This is where punk's audience question got answered differently.
Open on YouTube
Loaded only when you press play — nothing reaches Google before that. 1 of 3 is cued to a second read from the upload's own tracklist.
The specifics
- Tempo
- 150-190 bpm
- Song length
- 2-3 min
- Tuning
- E standard, played on cheap equipment, with a deliberately unpolished tone. Nothing in this genre is technically demanding and that is a stated position.
- Production
- Rough and live, mixed so the gang vocal is the loudest thing on the record. These are made to sound like a room full of people rather than a band.
- Written about
- Work and unemployment, Class, Football and the pub, Solidarity
What each part is doing
- Guitar Simple barre-chord progressions, mid-paced by punk standards, with a rock-and-roll swagger that hardcore removed entirely.
- Bass Driving root notes, loud, and frequently the clearest instrument on a badly recorded single.
- Drums Straight, heavy and unhurried, built for a crowd to move to rather than for speed.
- Vocals Shouted in an undisguised regional accent, with a gang chorus behind them. The mass singalong is the genre's structural device, not a decoration.
What it isn't
That it is a far-right genre. A small number of bands and a larger number of hangers-on made that association stick in the early 1980s, and it has been fought over ever since by a scene that is substantially anti-racist and always has been. The music itself is about class and place, and the encyclopedia's job here is to record the fight rather than to pretend it did not happen.
Told apart from
- Punk rock Oi kept punk's simplicity and aimed it at a working-class audience the London art-school scene had drifted from. Slower, and built around a chorus a crowd can shout.
- Hardcore punk Hardcore went faster and more austere; Oi went slower and more anthemic. They are the two answers to the same question about where punk goes after 1978.
- Anarcho-punk Anarcho-punk shares the class politics and pushes them toward anarchism and vegetarianism. Oi is more concerned with immediate circumstance than with ideology.
- Celtic punk Celtic punk uses the same singalong chorus with folk instruments, and much of its audience overlaps.
The genres this one is most often mistaken for. Written, not derived.
History
The term was coined by the journalist Garry Bushell in 1980 for England's working-class punk, as opposed to art-school punk. Cock Sparrer and The Business supplied the sound. The scene was long associated with football violence and with extremist groups attempting to recruit within it — which is why the SHARP movement emerged from inside it as a counterweight.
Descended from
On the timeline
Siblings on this branch
Sounds like this, elsewhere in the tree
- Garage rock revival identical ratings · meets it at Rock
- Garage rock 1.0 apart by rating · meets it at Rock
- Boogie rock 1.4 apart by rating · meets it at Rock
Closest by the three ratings, among genres at least 4 steps away in the tree. A rating match is not a musical claim.