Gothic metal
Sung and screamed. Clean singing and harsh vocals trade off, often chorus against verse.
In short
Death-doom that adds keyboards, romance and female vocals. It popularised the beauty-and-the-beast formula.
How it sounds
- Keyboards and strings over slow, heavy riffing.
- Vocal contrast: lyrical female voice alongside a male growl — 'beauty and the beast'.
- Broad production, romantic and funereal atmosphere.
Hear what that means
- Beauty and the beast
Theatre of Tragedy - Velvet Darkness They Fear
A trained soprano against a death growl, alternating by section. It began on the doom branch before symphonic metal took it and made it grand.
Open on YouTube - Keyboards as the centre from 0:40
Type O Negative - Bloody Kisses
Slow, heavy guitars providing a floor while organ and voice carry everything. One of very few metal genres where the guitar is deliberately not the interesting part.
Open on YouTube at 0:40 - Where it came from
Death-doom with keyboards and a second voice added. The lineage is metal's, not goth's - northern England, made by an extreme metal band.
Open on YouTube
Loaded only when you press play — nothing reaches Google before that. 2 of 3 are cued to a second read from the upload's own tracklist.
The specifics
- Tempo
- 70-110 bpm
- Song length
- 4-7 min
- Tuning
- C or D standard, with keyboards carrying much of the harmony and the guitars used for weight rather than for riffs.
- Production
- Lush and layered, with reverb on everything and the female vocal produced like a pop record against guitars produced like a metal one.
- Written about
- Romantic despair, Death and desire together, Religion, Gothic literature, explicitly
What each part is doing
- Guitar Slow, heavy and simple, providing a floor. Gothic metal is one of very few metal genres where the guitar is deliberately not the most interesting thing.
- Keyboards Strings, organ and choir pads carrying the melody and the harmonic movement — the arrangement's actual centre.
- Vocals The beauty-and-the-beast pairing: a trained female voice against a male growl, alternating by section. It began here before symphonic metal took it.
- Bass Simple and low, doubling the guitars, because the mid-range is fully occupied by keyboards and voices.
What it isn't
That it is goth with distorted guitars. The lineage is metal's: it comes from doom by way of death-doom, in northern England, made by bands who had been playing extreme metal. The gothic aesthetic was adopted afterwards, and the two genres' audiences overlapped much less at the time than the shared word suggests.
Told apart from
- Death-doom Gothic metal grew straight out of death-doom, and Paradise Lost made records in both. The keyboards, the second voice and the romance are what was added.
- Symphonic metal Symphonic metal takes the same female-voice arrangement and adds an orchestra and much greater speed and grandeur. Gothic metal stays slow and sad.
- Gothic rock Gothic rock is the post-punk genre this borrows its aesthetic from, and musically they share almost nothing — no distortion, no growl and a very different rhythm section.
- Doom metal Doom is this genre's grandparent and keeps a guitar band's austerity. Gothic metal is an arrangement genre.
The genres this one is most often mistaken for. Written, not derived.
History
Paradise Lost released an album in 1991 actually called Gothic, adding keyboards and female vocals to death-doom. Theatre of Tragedy codified the duet formula in Norway, while Type O Negative made an American version, closer to goth rock and full of black humour. The genre was enormous in 1990s Europe and fed directly into symphonic metal.
Descended from
Siblings on this branch
Sounds like this, elsewhere in the tree
- Neue Deutsche Härte 2.2 apart by rating · meets it at Heavy metal
- Grunge 2.4 apart by rating · no shared ancestor
- Post-grunge 2.8 apart by rating · no shared ancestor
Closest by the three ratings, among genres at least 4 steps away in the tree. A rating match is not a musical claim.